Here we see the wavy line from the upper figure terminating on the right shoulder of this central figure. Note that this figure is very symmetrical throughout. Arms are indicated but no hands or fingers. Stubby legs with three 'toes' each and a square bottom treatment. The legs are to the sides of the torso rather that the bottom corners. The head features two 'horns' and the arms are connected through the torso. The torso except the 'tail' are pecked lightly throughout possibly indicating darkening.
And without Lightroom processing. The petroglyphs certainly look better in this light even if some details are difficult to see.
At first glance there appears to be nothing of interest here. Well not so fast. Note the horizontal with upreaching hands at each end. Each hand has four fingers indicated. Hanging from this horizontal line are two or three wavy lines to the left and three straight lines to the right. This figure may give some indication of the order of creation of certain Dinwoody figures. The hands, arms, any elbows(Which are indicated here) are pecked as one main symmetric element and the interior lines are created as an asymmetric dependent element. Dependent the wrong word?? Probably.
This next figure is very symmetrical. And more of an antrromorph than most. Arms, elbows, hands and figures appear more human like. Both hands appear to have four fingers. Well the number of fingers on the right hand could be debated. The face appears to have a downcast mouth, two 'eyes', some sort of hair treatment and three 'feathers' rising on each side of the head. The torso is divided into three sections by two horizontal lines. There also appears to be some decoration around the neck and upper chest between the arms. Feet or stubby legs are indicated. 'Toes' may be indicated on close examination. The torso is pecked with gradually increasing density from the chest area to the bottom of the torso. Shading? Of particular interest, from the fourth digit of each hand there is a descending line that drops to near the bottom of the torso and is at least as long as the torso. The one on the right is intersected by an animal, the one at the left is not. Whether the intersection was intentional and original can not be determined.
And without Lightroom processing.
And here is the last major figure of this panel. There are four fingers on each hand. That fifth 'finger' on the left hand is due to a crack in the rock and mineralization. Arms and legs are similarly stubby and are terminated by four digit hands and feet. The right foot is not certain. The figure is symmetric and the torso is shaded but the face is not. The torso is divided into thirds by horizontal lines. The head features 'eyes' downcast 'mouth' and 'horns'. I cannot determine if the dog like animal at the lower left is associated with this figure, the adjacent figure or is unrelated.
This appears to be a dog on a leash. It intersects the line descending from the fourth digit of the right hand of the figure to the left. The line appears to split into two lines at the point of intersection. Significant??
Another look at this little fellow.
And another last look at this very interesting figure.
Hard to tell what is intended if anything here. There appears to be two partial figures merged in some way. The right figure is rather standard Dinwoody. Stubby arms with three digits indicated on each. There appears to be an abbreviated right 'wing' with two 'feathers' but presence of a left wing cannot be determined. No legs with only three digits indicated left and right. The interior completed with vertical and horizontal lines plus dots. The head has 'horns' possible 'eyes' and some sort of headdress or halo of dots. The left figure appears to be more of a stick figure that also appears in Dinwoody style rock art.
An excellent Dinwoody example here. An owl like figure that is quite symmetrical. Wings are drouped with six or seven feathers each. The head is well developed, eyes, 'mouth', five vertical lines under the 'mouth' , symmetric 'horns', a redundant line outlining the head, and seven dots to the right of the head with at least 4 to the left. Spalling and remineralization may have destroyed some dots. The torso starts with five bold dots at the top. The torso is divided into three sections by two horizontal lines. Just above the top horizontal line are nine dot/dashs. Under this line is something we have seen before. The strong rectangle with two descending loops around it. Horizontal lines intersect the outside loop from the body outline. The bottom features seven converging bold tapered lines. There appears to be a line between the sixth and seventh line but close inspection reveals it to be mineralization or chalk residue. Note the line in the center(fifth from left) is bolder than the rest and is actually rectangular while the others come to a point. This appears to be intentional. Note the rectangle in the torso section above.
And without the Ligntroom manipulation.
I find even this figure provides data and food for thought. I judge it to be rather poorly executed but of interest. Thead treatment is rather unique. Sort of an elaborate crown. A human like face with 'ears' indicated. There are bold lines descending from the crown/ear on each side of the head. The figure has owl like wings. There appears to be a bold hand with four fingers reaching to the left. This may be part of a prior figure that is being overlaid by the more prominent one. The figure has 'toes' , three on the left, four on the right. And there are three lines to the left and right extending from the lower torso. The lower torso interior is decorated with two rows of seven dashes. There appears to be a necklace of some sort. Each wing has three or four 'feathers' indicated but to the right there is an extension of the wing with three more feathers.
